San Miguel de Allende

San Miguel de Allende
Roof rainbow...San Miguel de Allende, Mexico

Sunday, March 20, 2011

Dear World, dear Earth... March 13, 2011


"Those who take no part in the making of world division by ideology are ready
to resume life in another world, be they of the Black, White, Red, or Yellow race.
They are all one, brothers, sisters. The war will be a 'spiritual conflict conflict with
material matters. Material matters will be destroyed by spiritual beings who will remain
to create one world and one nation under one power, that of the Creator.' That time is
not far off. It will come when the Saquasohuh (Blue Star) Kachina dances in the plaza."
**BOOK OF THE HOPI

Dear World, dear Earth,
dear Sixth Mayan World,
dear Fifth Hopi, Pueblo World,
dear, dear Sweet Earth,
dear Taknokwunu (Spirit who controls the weather),
dear Kokyangwuti (Spider Woman, creator woman),
dear Poqanghoya (Sacred Twin of the North Pole world axis),
dear Palongawhoya (Sacred Twin of the South Pole world axis),

Two tsunami dreams in
March, April 1999, my dream
notebook confirms, the heaving
of Earth beneath our feet, my

youngest son and I, then the
sound of gathered, sheer power,
I've not ever heard before. In
the dreams we stand in the One

Place, a place of safety... Tupkya,
safe place, in my dreams. We
watch surfers, people die in
the mountain of water, we weep,

we don't turn away, we witness
the devastation, we hear the
Twins of the North, South Poles,
of Earth's vibratory centers,

call out warning, call out sorrow,
call out Spider Woman's name,
"Kokyangwuti," Mother of All Life,
in my dreams I hear them-

and she calls out to Taknokwunu,
Spirit who controls the weather, but
it's too late, it's begun, the shift
of axis, the shift of worlds,

the shift of powers, the gathering of
sheer power, the ancient Earth
opens her eyes slowly, the
ground trembles, shudders, dances

awake, trembles, shudders, dances us
awake- so much death, so much
sorrow, the hidden is revealed,
the ancient Sipapuni, the center of

all life, the Place of
Emergence. What will emerge,
we ask, what will emerge,
what do you weave, Spider Woman?
* * * *
We must build a Tipkyavi...womb,
symbolic shrine, altar, for
our Earth, our womb, our mother-
we must bring objects sacred to

us...corn of every color, wheat,
slice of bread, bowl of rice, the
egg, glass of clear water, dry
beans, ripe melons, vegetables,

all fruit, the dried umbilical
cords of our beloved children,
all children, every Turtle Island,
every human color, the human

race, every mother's womb as
witness to this birth, the gush
of birth waters, the upheaval
of our earth, flesh, earth, the

first startled cry between
her bloody thighs, Tapu'at...
Mother, Child Creation Symbol,
bring this too, LIFE.

Yes, bring this too, life, to Tupkya,
safe place, Sipapuni, Place of
Emergence, the small hole in the floor
of the Kiva, crown of your head.
* * * *
Poqanghoya, Twin of the North Pole,
Palongawhoya, Twin of the South Pole,
hold us in your powerful hands, as
our beloved Earth rotates her

new axis, her new dance, her
new birth, her eyes slowly
opening, waking up, she observes
us, the Sipapuni at the crown of

our heads, are they open, are they
closed, are we sleeping, are we
waking, it's time, it's time, it's
time, our Mother wakens, to

push us through her birth canal,
earth upheaval, gushing waters,
the ancient Sipapuni will guide
us if it's open, open our eyes

to terror's wonder. Hold us in
your powerful hands, beloved Sacred
Twins, send out your song, the
Tangakwunu, rainbow.
* * * *
Santa Fe, New Mexico, Indian Market (2004),
I stop to admire a young Hopi man's
Kachina carvings, so beautiful,
so perfect, I freeze in the hot

sun, he laughs, bringing my eyes to
his, sheer play, sheer joy, sheer
creation, his mother's son,
I've seen this look in my

own son's eyes, I laugh
with him. "Your Kachina's are
so beautiful, it's like they're
alive." "They are,"

he smiles the smile of the creator.
I buy a small butterfly Kachina,
suddenly he grabs my right hand in
a firm clasp, turning my arm/hand

over, mine on top of his- flash of
smile, creator's eyes, "This is
how we will know each other in
the next world, sister, the Nakwach."

I'm stunned, his firm grip, without
my permission, his mother's son, my
own sons, I breathe, "I don't
understand, what?" He holds my

gaze- "My people, the Hopi, call
this the Nakwach, remember it,
you'll need it in the next world,"
he laughs. "Show me again," I

smile, he does. "Thank you, I'll
remember, for the next world."
I walk away, slowly, looking
back, waving, my small butterfly

Kachina carefully wrapped, his
firm grip still pressing my hand,
my arm. Talasveniuma...Butterfly
carrying pollen on wings, floats

by, I see bright yellow pollen
wings, now now, and think of what
I read this morning (2011)- the traditional
Japanese greeting replaced with,

"We are
all in
this together."
Nakwach,

this is how
we'll know
each other in
the next world, Nakwach.

Dear Saquasohuh, Blue Star Kachina,
we will know you
in the next
world, give

me your terrible,
wondrous hand,
we are all in this
together. Nakwach.


To our sister Turtle Island, Japan,
solar energy now, into the Sixth World,
one people, one planet,
into the Sixth World.

Alma Luz Villanueva
San Miguel de Allende, Mexico



**The quote that opens this poem comes from Frank Waters' BOOK OF THE HOPI ('Hopi Prophecies'), the words and wisdom which he gathered from 'some thirty elders of the Hopi Indian tribe in northern Arizona.' He lived with them during the gathering, the gift of their words, ancient knowledge, for this amazing book. Waters writes in the Introduction: "Most of their spokesmen here are old men and women with dark wrinkled faces and gnarled hands. They speak gutturally, deep in their throats and almost without moving their lips, their voices rising out of the depths of an archaic America we have never known, out of immeasurable time, from a fathomless unconscious whose archetypes are as mysterious and incomprehensible to us as the symbols found engraven on the cliff walls of ancient ruins...This, then, is their book of talk. It is not a professional paper- neither a sociological or psychological study nor an anthropological report. It is the presentation of a life-pattern rooted in the soil of this continent, whose growth is shaped by the same forces that stamp their indigenous seal upon its greatest mountain and smallest insect, and whose flowering is yet to come."




Copyright, Alma Luz Villanueva

Thursday, January 27, 2011

Dear World, dear Earth, dear Angel Of Despair And Joy...January 6, 2011

(Continued from January post)-

Los Angeles, The Angels, at noon,
Angel Of Illegal Immigrants, Spanish,
Vietnamese, Chinese, Cambodian spoken
on the streets, many more, do you

sing in every human language,
Turtle Islands, once the massive
Tortoise emerging from primal,
cellular swirling sea, from

space blue blue blue womb
water, I hear you singing on
the streets of Los Angeles, your
sweet clear voice pierces my

stubborn, persistent, will-to-live
human heart...Angel Of Dreaming
Immigrants, Angel Of Native People
Of This Continent (their drums, their

voices, their rattles, dance, song,
keep us alive, ancient prophecy
coming home, coming home to the
streets of Los Angeles, The Angels, the

Earth, coming home), Angel Of The
Ancient Trade Routes, Angel Of
Shimmering Shifting Borders,
Angel Of The Dispossessed ,

Angel of The Possessive,
Angel Of Diamond Light Eyes,
I hear your sweet clear voice
piercing even the concrete, flowing

over the Pacific, her still fertile,
swelling waves, piercing every
stubborn human heart, our
Angel Of Despair And Joy,

I hear you singing in every
language, I don't know
the words, what I hear/feel,
your harsh, persistent healing.
* * *
Santa Cruz, Holy Cross, ancient
symbol of healing (not the crucifix),
night, oh Angel Of Scattered
Families, oh Angel Of Gathered

Families, how do we stand to feel
so much, I wonder, these gathered
memories from sheltered womb to
open door, the delicious, terrifying,

lush, killing, O beauty, O horror,
this human world,
this perfect Earth,
O Angel Of Diamond Light Eyes,

O Angel Of Terror And Wonder,
O Angel Of Despair And Joy,
O Angel Of Scattered, Gathered
Families, the families we're

born to, birth to,
the families we create,
O Angel Of Endless Weeping,
O Angel Of Endless Laughter,

we heard your harsh, persistent
voice, healing, and we danced,
oh we danced to your song,
terror, oh the wonder,

at the edge of Santa Cruz,
at the edge of Los Angeles,
at the edge of Mexico City,
at the edge of every floating,

rooted Turtle Island continent,
at the very edge of our Cosmos,
O Angel Of Diamond Light Eyes,
keep watch as the ancient prophecies,

the ancient trade routes, come
home, keep singing your harsh,
persistent, healing song, every language,
O Angel Of Despair And Such

Joy.
* * *
(Watsonville, Califas, a few miles south of Santa Cruz...)

My granddaughter works with the
Farm Workers, their children born
two fingers to each hand, im
perfect (as my four children

were born perfect), spraying
of the fields, their parents
with cancers, dying
to pick the food of

millions, fresh cheap
food at the supermarkets,
ICE separating illegal parents from
their legal children- we marched

over thirty years ago, still they
spray the fields (every where, this
Turtle Island), two fingers to a
hand, the im perfect children, to

their parents perfect- my youngest
son works with the families of the
dispossessed, the hungry, no
food or refrigerator to hold it, no

place to sleep (bed, mattress), no
place to sit (couch, chairs), no
table to gather (food food), the
country of wealth, abundance,

one in four children are hungry,
Martin Luther King, "The worst violence
is poverty," O Angel Of The Farm Workers,
O Angel Of Toxic Food,

Angel Of The Im Perfect,
Angel Of The Perfect,
Angel Of Violence,
Angel Of Healing,

Surround each field, unfurl
your wings, tip to tip,
O Angel of Diamond Light Eyes,
the terror, and always

the wonder.


*To my youngest son, Jules...and to my granddaughter, Ashley.
To all the daily human angels, wing tip to wing tip,
every Turtle Island, into
The Sixth World.


Alma Luz Villanueva
San Miguel de Allende, Mexico






Sunday, January 9, 2011

Dear World, dear Earth, dear Angel Of Despair And Joy... January 6, 2011

Early morning, as we land in Mexico
City, I see the immense angel, I
blink my eyes, I stare and
stare, it doesn't disappear, it

remains firm, hovering at the
edge of Mexico City's sprawl,
Cloud Angel, Spirit Angel, Angel
Of Despair And Joy, Begging Angel,

Starving Angel, Murdered Angel,
Tortured Angel, Child Prostitute
Angel, Angel Of The Well Fed Loved
Child, Angel Of Loving Parents,

Angel Of Those Who Feed The Hungry,
Angel Of Those Who Give To Beggars,
Angel Of Those Who House The Beaten
Human Body, Angel Of Those Who

Weep For Mercy Compassion
Harvest, Angel Of Those Who
Rage For Poverty's People, Angel Of
The Unashamed Who Bellow, Angel Of

The Shamed Who Whimper, Angel Of
Our Humanity, Angel Present Alive
Every Where, Angel At The Edge Of
Mexico City, I didn't know you

were there until this morning,
December 9, 2010, if I flew
city to city, country to country,
continent to continent, I would

see you firm, hovering, your
immense wings folded softly,
fiercely, your speed of light
eyes balancing the terror,

the wonder, of being
human, you temper our
blindness, give us sight,
Angel Of Diamond Light

Eyes, watching, weeping, gazing,
our strange, stubborn human
beauty, we persist because of
you, Angel Of Despair

And Joy, at the edge of
Mexico City, every city, town,
village, every Turtle Island,
our Earth.

To the city of Tucson, the nine-year-old angel, Christina Green, killed on January 8, 2011- all the wounded, slain. May Gabrielle Gifford heal, the others wounded. May the Circle Of Angels Of Despair And Joy unfurl their soft, fierce wings, tip to tip, around Tucson at this time...

*This is the first section of this poem, it's much longer as it journeys to Los Angeles, Santa Cruz, Califas...(the 'Dear World' series in its 15th year, previous books)...but this one is for Tucson today as we ALL journey into the Sixth World. Gracias to my students at Antioch for your grace, beauty, so much humor, at the December residency...gracias to mi familia who love my heart for what it is, and I theirs also...into the Sixth World con mucho amor, the harsh, healing gaze of the Angel Of Diamond Light Eyes.


Saturday, November 6, 2010

TABOO LIFE

Teen with spiky blue
tipped hair, sells me
my first marigolds, sees
my dragon tattoo, says

he wants one, wants to
go to Japan, learn
kung fu, his words,
desires, tumble out, he

is poor, makes maybe
40 pesos a day, maybe
he'll get the dragon
tattoo, his eyes freshly

crushed hope, is this
you uncle Ruben,
you who left the body at
twenty-one with so many

young man's desires, your
talents (entire violin concertos
by memory), your taboo
lovers in the 1930s Los Angeles

(other young men), your
passions, I imagine to
travel to Paris, Venice, Tokyo,
other wonders- I just

returned from Paris, whispered
your name upon seeing the
Eiffel Tower, and I know
I'll reach Venice, even

Tokyo, so for you, the
teen boy with spiky blue
hair, whispered wonders-
a piece of your spirit

always with me, secret
stories from your mother,
sister, the brilliant boy,
young man, burning with

taboo life, know I
embrace who you were,
who you longed to be,
who you may be. Now.



To mi tio, Ruben Villanueva
Dia de Los Muertos, 2010
San Miguel de Allende, Mexico



Life/death/life/death/life into the Sixth World...

Sunday, October 24, 2010

IN PARIS

"Look long at what pleases you.
Look longer at what displeases you."
La Colette (French writer)

Outdoor cafe facing fountain,
light rain, students
without umbrellas laughing,
children dancing between

rain drops, gathering gold
leaves to wave like
flags, beautiful women
wearing boots, dark ponies,

one in skin tight, black
leather leggings, tiny skirt,
over the knee black leather
ponies, black leather jacket,

long purple feather earrings,
shiny black mane, galloping-
a man saunters toward the
fountain, laughing to himself,

turns, arms raised to
each rain drop, all black,
bright red shoes, he
leaps and turns, stealing

my smile, my gaze,
echo of Artaud, Anais
Nin, Colette, Proust, the
bright red shoes they wore,

the magic of this city on
his feet, he dances,
twirls, leaps, laughs,
arms raised for a moment-

I want to follow him,
photograph him, the bright
red shoes, his laughter,
but I let him go, the

magic of this city,
timeless sensuality, joy,
Colette's full mocking gaze,
her wonder, I see.
* * * *
Beautiful African man,
car next to me, me in a
tour bus, he in a sleek
suit, smiling up at me, such

charm, such confidence,
I look away, what I usually
do, then glance back,
he's still smiling, I

meet his gaze, smiling,
he blows me a kiss,
drives away, hey the
brothers in Paris are

fiiiiiine, no memories
of being strung up,
sold on the block,
castrated, the slavery

DNA, wow, I smile to
myself, that's what a
free African man feels like,
yet the black men of my

country slowly transforming
the sorrow, the poison,
as are my brown brothers,
into the joy, the confidence

to blow a kiss
to the human
of their choosing,
oh beauty oh beauty

oh beauty,
I blow you all
a kiss from
Paris.
* * * *
Brown, black sisters, their
stilettos, knee high boots,
drum their stunning dance,
the street hums with

celebration, I hear Shange's
words in their passing, "I
found god in myself and I
loved her. I loved her

fiercely." Slavery, rape,
genocide, hatred, healed
oh healed in that strutting
confident walk, I murmur,

"Work it, sister, yeah
work it," smiling as they
strut by- low cut
black dress, black

nylons, stiletto heels,
gold hoop earrings,
gaze of a queen, a
Goddess, I'm staring,

look around, quick glance,
a few men. This morning, my
birth day, men waving at
me, smiling as I pass, why

aren't they gawking at this
20 something surreal beauty,
I wonder, I ask the man next
to me, our conversation (pretty

stunning himself, black
leather to his boots, small
diamond right ear)- "Why
aren't men falling off their

chairs with this kind of
beauty passing by..." I
pause, gather truth... "and
why are men flirting with me,

old enough to be her mother,"
(really grandmother, my
granddaughter 29 as is my
youngest son, I keep this

to myself), ah vanity, I
laugh, "in the USA she'd
have to hire armed guards."
He smiles, taking me in, "Here,

we love the ripened woman
and the ripened man, a
rarity, that integration of
wisdom and innocence. That

refusal to become bitter, I
hope to achieve that, and
this is why you write, no?"
"Yes," I laugh,

tears stinging my eyes,
yes, and he pours
me white wine from
his bottle, 11am-

"To the ripened woman,
to the ripened man,"
he smiles, and we drink
to that.

"I found god in myself
and I loved her.
I loved her fiercely."
Work it.
* * * *
Wearing my Santa Fe black
Panama hat, Paris morning,
men smile, blow me kisses,
the word chapeau I recognize,

they love my hat, where
else in the world do men
love your chapeau- elegant
older woman on Metro,

Dior glasses, Dior purse,
outfit, elegant cane,
meets my eyes, smiles with
approval, briefly...

The Pantheon, Voltaire's
bones are here, the
ones that held him up
to walk, write, love,

just his bones, yet
the glowing dust of
his bones, the one
who wrote, "Paradise is

where I am," is gone,
the bones don't speak,
his spirit, his words,
speak, and Colette, she's

not in the Pantheon with
all the honored men, she's
buried in the earth
she loved, become earth,

air, the sky we breathe,
flying things soar on
her breath, and Jim
Morrison sings harmony...

"Paradise is where we
are, paradise is where
we are, oh paradise
is always

is always
is always
where we are are are
par a dise we are..."
* * * *
Luxembourg Gardens,
a magical nymph pond,
sculptured fairies and
demons, grandmother trees

loosing leaves to be
come young in spring,
surrounded by arches of
trained ivy, sedate, spoiled

ducks in pond, a small
boy tosses a love letter
to the indifferent ducks,
he screams with delight

as they peck it once,
not food, swim on-
you grab a metal
chair, sit where you

wish to view the magic,
shadows, last Sun sings
to the fairies and demons...
Soon they'll be gone, you'll

be free to bathe, make love,
create beauty, chaos,
until they come with their
metal chairs

to witness
the magic
you weave
toward dawn.

I come closer to the
fountain, the large
faun/demon hovers
over the pool menacingly,

lovingly, below him
two lovers entwined,
making love for-ever, a
young couple sits next to

this beauty, warning, she
sits in his lap, laughing, he
holds her intimately, laughing,
they pay no attention to

the faun/demon, why
should they, this is the
moment to love, this perfect
moment. This garden.

I stumble on. My last
day. In Paris. This enchanted.
Pool. The faun/demon
(blesses me). He does.
* * * *
And I realize, for
once, I look longer
at what pleases,
the simple beauty

of love, I look
longer at what
pleases me, my last
day. In Paris.


Alma Luz Villanueva
October 2010

**Even when I was (very) poor, I always found ways to find joy/ecstasy, even if I had to steal it...may we steal it, bless it, share it, pass it on, the gift of JOY, to look longer at what pleases us, the simple beauty of love...
into the Sixth World.